EPUB Accessibility Report

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Title: Trespassing

(EPUB 3.0)

Violations

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Summary of violations

Violation count, by ruleset and severity.
Critical Serious Moderate Minor Total
WCAG 2.0 A 00000
WCAG 2.0 AA 00000
WCAG 2.0 AAA 00000
WCAG 2.1 A 00000
WCAG 2.1 AA 00000
WCAG 2.1 AAA 00000
WCAG 2.2 A 00000
WCAG 2.2 AA 00000
WCAG 2.2 AAA 00000
EPUB 00000
Best Practice 00000
Other 00000
Total 00000

All violations

Impact Ruleset Rule File Reset filters
Violations in the EPUB, with references to severity, guidelines and specific location of problem.
Impact Ruleset Rule Location Details

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Metadata

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All Metadata

Publication metadata.
Name Value
dc:title Trespassing
dc:date 2026-08-18T15:27:40Z
dc:language en-GB
dc:identifier urn:uuid:29d919dd-24f5-4384-be78-b447c9dc299b | 978-1-80511-959-3 | https://doi.org/10.11647/OBP.0542
generator Adobe InDesign 21.5.1
cover obp.0542_frontcover.jpg
ibooks:specified-fonts true
dcterms:modified 2026-08-19T14:52:18Z
schema:accessibilitySummary This publication conforms to WCAG 2.0 AA.
schema:accessMode textual | visual
schema:accessModeSufficient textual
schema:accessibilityFeature structuralNavigation | alternativeText
schema:accessibilityHazard none

Accessibility Metadata

The following accessibility metadata is present: schema:accessMode schema:accessibilityFeature schema:accessibilityHazard schema:accessibilitySummary schema:accessModeSufficient

The following accessibility metadata is missing: a11y:certifiedBy a11y:certifierCredential a11y:certifierReport dcterms:conformsTo .

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Outlines

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TOC Outline

  1. Cover
  2. Title page
  3. Copyright
  4. Dedication
  5. Table of Contents
  6. List of Figures
  7. Author Biography
  8. Introduction—Trespassing Across a Man’s World
    1. Placing Women in Indonesian History and Literature
    2. Travel and Trespassing
    3. My Body, Ethnography, and Literature
    4. Overview of Chapters
    5. Notes on Language and Translation
  9. BY FOOT
  10. 1. Forever Wandering
    1. A Few Notes on Method
    2. Island #1: Bad Girls Wander
    3. Island #2: Weaving Together East/West through Story
    4. Island #3: Red Shoes
    5. Island #4: Monsters and Mirrors
    6. Island #5: Endings
  11. 2. Dancing Strangers
    1. Learning to Dance
    2. Seeing the Beauty in Dance
    3. The Strangeness of Beauty and Balance
    4. Time is Strange—Looking at the Present through the Past
    5. Strange Beauty and Strange Desire
    6. Resisting Beauty and Embracing Strangeness
    7. Feet, Trespassing, and Ritual
  12. BY TRAIN
  13. 3. Trains across Space and Time
    1. Station One: Looking Out to the World
    2. Station Two: Contextualizing Representation in the Global Sphere
    3. Station Three: Heads and Revenge
    4. Station Four: Trains
    5. Station Five: More Trains
    6. Station Six: Navigating between Tradition and Modernity
    7. Final Station: All Aboard for the World
  14. BY BOAT
  15. 4. Set to Sail
    1. Writing Stories; Writing Fairytales
    2. Paper Boats and Oceanic Feelings
    3. Magical Objects
    4. From Ocean to Island
    5. Re-Orientations
    6. Happy(?) Endings
  16. BY PLANE
  17. 5. Flying Away
    1. Indo Identity
    2. Contradictions of Modernity
    3. Stranger and Family—Talib
    4. Family and Stranger—Sukoharjito
    5. Crashing
  18. 6. Going Home
    1. Orienting Towards Home
    2. Aerial Identity
    3. Tanah Air: Home, and Exile
    4. “Love at First Sight”
    5. I-N-D-O-N-E-S-I-A
  19. Postscript: Beyond the Horizon
    1. Traveling Beyond These Pages
  20. Works Included
  21. Works Cited
  22. Acknowledgements
  23. Index
  24. About the Team
  25. This book need not end here…
  26. You may also be interested in:
  27. Back cover

Headings Outline

  • TRESPASSING
  • Trespassing
    • The Subversive Travel of Indonesian Women in Literature and Performance
      • Jennifer Goodlander
  • Table of Contents
  • List of Figures
  • Author Biography
  • Introduction—Trespassing Across a Man’s World
    • Placing Women in Indonesian History and Literature
    • Travel and Trespassing
    • My Body, Ethnography, and Literature
    • Overview of Chapters
    • Notes on Language and Translation
  • By Foot
  • 1. Forever Wandering
    • A Few Notes on Method
    • Island #1: Bad Girls Wander
    • Island #2: Weaving Together East/West through Story
    • Island #3: Red Shoes
    • Island #4: Monsters and Mirrors
    • Island #5: Endings
  • 2. Dancing Strangers
    • Learning to Dance
    • Seeing the Beauty in Dance
    • The Strangeness of Beauty and Balance
    • Time is Strange—Looking at the Present through the Past
    • Strange Beauty and Strange Desire
    • Resisting Beauty and Embracing Strangeness
    • Feet, Trespassing, and Ritual
  • By Train
  • 3. Trains across Space and Time
    • Station One: Looking Out to the World
    • Station Two: Contextualizing Representation in the Global Sphere
    • Station Three: Heads and Revenge
    • Station Four: Trains
    • Station Five: More Trains
    • Station Six: Navigating between Tradition and Modernity
    • Final Station: All Aboard for the World
  • By Boat
  • 4. Set to Sail
    • Writing Stories; Writing Fairytales
    • Paper Boats and Oceanic Feelings
    • Magical Objects
    • From Ocean to Island
    • Re-Orientations
    • Happy(?) Endings
  • By Plane
  • 5. Flying Away
    • Indo Identity
    • Contradictions of Modernity
    • Stranger and Family—Talib
    • Family and Stranger—Sukoharjito
    • Crashing
  • 6. Going Home
    • Orienting Towards Home
    • Aerial Identity
    • Tanah Air: Home, and Exile
    • “Love at First Sight”
    • I-N-D-O-N-E-S-I-A
  • Postscript: Beyond the Horizon
    • Traveling Beyond These Pages
  • Works Included
    • Music
      • Film
      • Literature
  • Works Cited
  • Acknowledgements
  • Index
  • About the Team
  • This book need not end here…
    • Share
    • Donate
    • We invite you to connect with us on our socials!
    • Read more at the Open Book Publishers Blog
  • You may also be interested in:
  • Contents
    • Landmarks

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Images

Images in the EPUB, with their description
Image alt aria-describedby aria-details figcaption Location Role
Book cover for Trespassing: The Subversive Travel of Indonesian Women in Literature and Performance by Jennifer Goodlander. The cover is dominated by a dark, warm-toned photograph seen from inside a vehicle or through a window. Bright golden sunlight flares through scratched glass, with a black diagonal wiper or frame crossing the image and a blurred dark silhouette at the lower right. The title and author name appear in spaced gold capitals, while the subtitle is set in white. N/A N/A N/A cover.xhtml#epubcfi(/4/2/2) doc-cover
Open Book Publishers logo N/A N/A N/A title.xhtml#epubcfi(/4[Goodlander-0542-INTERACTIVE-Augst19]/2[Container002]/8/2[Container001]/2) N/A
Creative Commons logo N/A N/A N/A copyright.xhtml#epubcfi(/4[Goodlander-0542-INTERACTIVE-Augst19]/2[Container006]/6/2/2[CC-logo]/2) N/A
Open Access logo N/A N/A N/A copyright.xhtml#epubcfi(/4[Goodlander-0542-INTERACTIVE-Augst19]/2[Container006]/6/4/2[CP-logo]/2) N/A
A fair-skinned woman with blonde hair swept up stands smiling in an indoor room, dressed in traditional Balinese costume in the process of being fitted. She wears a strapless orange-gold brocade bodice (kemben) with green and pink decorative motifs, and a bright pink songket skirt with gold geometric and floral patterning and a green border. An orange-gold length of fabric is being draped over her shoulder by a second person, visible from behind at the right of the frame, wearing a dark jacket and grey trousers. In the background, a low bed with patterned bedding is visible to the left, and a wooden wardrobe with a mirror stands to the right beneath a green-framed window. The setting appears to be a private dressing room. N/A N/A N/A ch2.xhtml#epubcfi(/4[Goodlander-0542-INTERACTIVE-Augst19]/2[Container020]/8/2[Container017]/2) N/A
Four women perform a Balinese dance at night in an outdoor temple courtyard, watched by a seated crowd of local children and adults. All four dancers wear matching traditional costume: gold and orange brocade tops, bright pink and gold songket skirts with green borders, and elaborate floral headdresses adorned with red and yellow flowers. The two foreground dancers hold small ritual offering trays and extend their arms with characteristic angular hand gestures. The performance takes place on a stone-paved stage illuminated by artificial light, with an ornate red-brick split gate (candi bentar) decorated with carved stone relief visible in the background. Trees and a tall lamp post are visible to the right. Audience members in the foreground are silhouetted, with one person holding up a mobile phone to photograph the performance. N/A N/A N/A ch2.xhtml#epubcfi(/4[Goodlander-0542-INTERACTIVE-Augst19]/2[Container020]/12/2[Container018]/2) N/A
A fair-skinned woman performs a Balinese dance indoors in what appears to be a school or community hall with pale yellow walls and tiled flooring. She wears an elaborate traditional Balinese costume comprising a tall gilded crown (gelungan) decorated with red flowers and jewelled ornaments, a richly embroidered gold and red bodice with a large decorative collar necklace featuring red and gold beading, gold arm cuffs, and a voluminous pink and gold songket skirt with large floral motifs. She is captured mid-movement with bent knees in a low stance, one arm extended forward with the hand angled downward in a classical Balinese gesture. In the background, two young girls in traditional Balinese dance costume and headdresses are seated at a desk, watching. Woven palm-leaf decorations hang from the ceiling, a class administration notice board is visible on the left wall, and horizontal wooden-louvred windows line the upper right wall. N/A N/A N/A ch2.xhtml#epubcfi(/4[Goodlander-0542-INTERACTIVE-Augst19]/2[Container020]/94/2[Container019]/2) N/A
Bluesky Logo N/A N/A N/A donate.xhtml#epubcfi(/4[Goodlander-0542-INTERACTIVE-Augst19]/2[Container043]/16/4/2/2/2) N/A
Mastodon Logo N/A N/A N/A donate.xhtml#epubcfi(/4[Goodlander-0542-INTERACTIVE-Augst19]/2[Container043]/16/4/4/2/2) N/A
LinkedIn Logo N/A N/A N/A donate.xhtml#epubcfi(/4[Goodlander-0542-INTERACTIVE-Augst19]/2[Container043]/16/4/6/2/2) N/A
Instagram Logo N/A N/A N/A donate.xhtml#epubcfi(/4[Goodlander-0542-INTERACTIVE-Augst19]/2[Container043]/16/4/8/2/2) N/A
Featured book cover showing two people dressed in white robes stand on a reflective water surface holding a long white cloth between them under a cloudy sky. N/A N/A N/A further-reading.xhtml#epubcfi(/4[Goodlander-0542-INTERACTIVE-Augst19]/2[Container050]/4/4/2[Container045]/2) N/A
Featured book cover showing a person wearing a long purple patterned dress walking away on a stone pier extending into a calm sea with gentle waves. N/A N/A N/A further-reading.xhtml#epubcfi(/4[Goodlander-0542-INTERACTIVE-Augst19]/2[Container050]/6/4/2[Container047]/2) N/A
Featured book cover with the title “Second Chance My Life in Things” by Ruth Rosengarten featuring long, wavy brown hair tied with white ribbons on a crumpled white background. N/A N/A N/A further-reading.xhtml#epubcfi(/4[Goodlander-0542-INTERACTIVE-Augst19]/2[Container050]/8/4/2[Container049]/2) N/A
N/A N/A N/A N/A back-cover.xhtml#epubcfi(/4/2/2) N/A

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