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TOC Outline

1. Cover
2. Title page
3. Copyright
4. Contents
5. Contributor Biographies
6. 1. Introduction: A Comprehensive Understanding of Gender-Based Violence in Artistic and Cultural Worlds
   1. Marie Buscatto, Sari Karttunen and Mathilde Provansal
7. Part I Gender-Based Violence, Power Relations and the Reproduction of Gender Inequalities
8. 2. French Opera: A Professional World Haunted by Gender-Based Violence1
   1. Marie Buscatto, Soline Helbert and Ionela Roharik
9. 3. Navigating the Boundary between Subjection and Agency: Gender-Based Violence in the Japanese Popular Music Industry
   1. Chiharu Chujo
10. 4. Gender-Based Violence in French Art Schools and the Reproduction of Gender Inequality in Contemporary Art
    1. Mathilde Provansal
11. Part II Creating Representations of Gender-Based Violence in Art and Culture
12. 5. The Helsinki School: Gendered Image Shaping and Gender-Based Violence in a Photography Branding Project
    1. Leena-Maija Rossi and Sari Karttunen
13. 6. Creating Content about Gender-Based Violence and Sexuality while Being Subjected to Sexual Harassment: Experiences of UK Screen Industries Workers
    1. Anna Bull
14. Part III Challenging Gender-Based Violence in Artistic Work
15. 7. Playing Is Not Consenting: Sexual Harassment in New York Theatre1
    1. Bleuwenn Lechaux
16. 8. From Rumours to Calling Out: Denunciations of Gender-Based Violence in Electronic Dance Music in France
    1. Alice Laurent-Camena
17. Conclusion
    1. Marie Buscatto, Sari Karttunen and Mathilde Provansal
18. Afterword
    1. Paula-Irene Villa
19. Index
20. About the team
21. This book need not end here…
22. You may also be interested in:
23. Back cover

Headings Outline

• Contents
• Contributor Biographies
• 1. Introduction: A Comprehensive Understanding of Gender-Based Violence in Artistic and Cultural Worlds
  • Marie Buscatto, Sari Karttunen and Mathilde Provansal
  • Denouncing Sexual Violence in the Arts: A Loud Social Phenomenon
  • Gender Inequalities in Art Worlds: A Well-Researched Field
  • A Legacy of Feminist Thinking and Feminist Movements
  • Exploring the ‘Continuum of Sexual Violence’ as Conceptualised by Kelly
  • Gender and Violence: Naming the Issue
  • Gender-Based Violence in Artistic and Cultural Work and Education: State of the Art
  • Assessing and Explaining Gender-Based Violence in Artistic and Cultural Work and Education
  • Investigating Gender-Based Violence beyond Statistics
  • Grasping the Inclination of Art Worlds toward Gender-Based Violence through the Identification of Its Various Forms
  • The Production of Gender-Based Violence as the Result of Cumulative Social Processes
  • Gender-Based Violence Affects Women’s Creativity and Careers in Many Ways
  • Gender-Based Violence Tends to Be Silenced
  • From Silencing to Speaking Up: A Long Road to Go
  • Conclusion
  • References
• Part I Gender-Based Violence, Power Relations and the Reproduction of Gender Inequalities
  • Introduction
• 2. French Opera: A Professional World Haunted by Gender-Based Violence1
  • Marie Buscatto, Soline Helbert and Ionela Roharik
  • Introduction
  • Methods
  • Opera as a Collective and Hierarchised Work Organisation Supervised by Men
  • The Omnipresence of Sexist and Sexual Acts: Women as Victims,7 Men of Power as Aggressors
    • A High Prevalence of Sexist and Sexual Acts
    • A Wide Variety of Sexist and Sexual Acts, Some Recurrent Practices
    • Men of Power as Main Aggressors
  • A Very Low Level of Reporting despite the Heavy Psychological and Professional Costs
    • A Low Level of Reporting to the Hierarchy or to an External Authority
    • Heavy and Known Psychological Consequences for the People Concerned
    • At the Heart of a Low Level of Denunciation
    • Anger as the Main Driving Force behind the Rare Denunciations
  • A Professional Environment Conducive to Unreported Sexist and Sexual Acts
    • The Hypersexualisation of Women Singers: Uncontrolled ‘Drifts’
    • A Highly Competitive, Uncertain and Anxious World
    • Artistic Success and Talent as an Excuse for Reprehensible Behaviours
  • Conclusion
  • References
• 3. Navigating the Boundary between Subjection and Agency: Gender-Based Violence in the Japanese Popular Music Industry
  • Chiharu Chujo
  • Introduction
  • Academic Silence: A Lack of Research on Gender-Based Violence in the Japanese Music Industry
  • Methodology
  • Ambivalent Discourses: No Sexual Harassment, Even If…
    • Rumours
    • ‘Minor’ Harassment in Unofficial Settings: Gender-Based Violence Not Being Considered as Such
    • Lookism and Ageism
  • Strategies to Escape or Resolve Challenging Situations
    • Escaping from the Situation
    • Acting against the Situation
    • Letting It Be
    • Recourse to Professional and Familial Networks
  • Socialised Coercion Preventing Recognition of Violence
    • Hierarchical Relationships with Seniors
    • Emotional Labour and Emotional Blackmail
    • Precarious Status as Freelance
  • Conclusion
  • References
• 4. Gender-Based Violence in French Art Schools and the Reproduction of Gender Inequality in Contemporary Art
  • Mathilde Provansal
  • Introduction
  • Data and Methods
  • The Various Forms of Gender-Based Violence Experienced by Women in Art School
    • Reported Gender-Based Violence Is Mainly Exerted by Male Instructors
    • Gender-Based Violence among Students Is More Difficult to Identify
  • Social Processes and Relations Sustaining Gender-Based Violence in Art Schools
    • The Sexualisation of Female Students
    • Students’ Dependency on Their Instructors to Launch Their Career
    • The Blurred Boundaries between the Private, Educational and Professional Spheres
    • The Flawed Implementation of Policies against Gender-Based Violence in Artistic Higher Education
  • The Consequences of Gender-Based Violence on Women’s Professionalisation
    • Women’s Workspace Instability
    • A Threat to the Development and Recognition of Women’s Creative Abilities
    • Limited Access to Professional Networks and Work Opportunities
  • Conclusion
  • References
• Part II Creating Representations of Gender-Based Violence in Art and Culture
  • Introduction
• 5. The Helsinki School: Gendered Image Shaping and Gender-Based Violence in a Photography Branding Project
  • Leena-Maija Rossi and Sari Karttunen
  • Varieties of Gender-Based Violence in the Art Context
  • Aims, Tools and Materials
  • From Stardom to Hardship
  • Recurring Sexual Harassment within the Helsinki School
  • Blurred Lines between Work and Personal Life
  • Toleration Fuelled by Multiple Factors
  • Familial Industry Culture Favouring Gender-Based Violence
  • Gendered Paradox of Male Artists’ Power and Intentions
  • Gendered Image Shaping: Women’s Aesthetic Labour
  • Women as Victims, Women as Powerless in Photographs?
  • Art Education and Branding Supporting Practices of Gender-Based Violence
  • References
• 6. Creating Content about Gender-Based Violence and Sexuality while Being Subjected to Sexual Harassment: Experiences of UK Screen Industries Workers
  • Anna Bull
  • Introduction
  • Gender-Based Violence and Harassment in the Arts and Cultural Industries
  • Methods and Context
  • Interactions of Workplace Culture and Content
  • How Culture Influenced Content
  • How Content Acted Back on Culture
  • Disjunctures between Content and Culture
  • Conclusion
  • References
• Part III Challenging Gender-Based Violence in Artistic Work
  • Introduction
• 7. Playing Is Not Consenting: Sexual Harassment in New York Theatre1
  • Bleuwenn Lechaux
  • New York Theatre Worlds and the Framing of Sexual Harassment in the US
  • Sexual Harassment as a Product of Professional Practices
  • Fighting Sexual Harassment
  • Conclusion
  • References
• 8. From Rumours to Calling Out: Denunciations of Gender-Based Violence in Electronic Dance Music in France
  • Alice Laurent-Camena
  • Introduction
  • Methods
  • Denunciation as a Rumour: A ‘Code of Silence’?
    • Sexual and Professional Reputations at Play: The ‘Borderline Guy’13
    • The ‘Killjoy’: Obstacles to the Social Validation of the Denunciation as Rumour
  • ‘Washing the Dirty Linen in Private’:23 Internal Denunciation
    • Reputational Stigma Shifts from the Victim to the Denunciated
    • Denunciations without a Public?
  • Involving the Public as a Moral Pledge
    • The Case Gone Public: ‘Calling Out’
    • The Effects of Public Denunciations
  • Conclusion
  • References
• Conclusion
  • Marie Buscatto, Sari Karttunen and Mathilde Provansal
• Afterword
  • Paula-Irene Villa
  • References
• Index
• Contents
  • Landmarks