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Title: Bioethics in Apocalyptic Times

(EPUB 3.0)

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dc:title Bioethics in Apocalyptic Times
dc:date 2026-09-09T12:38:02Z
dc:language en-GB
dc:identifier urn:uuid:29d919dd-24f5-4384-be78-b447c9dc299b | 978-1-80511-987-6 | https://doi.org/10.11647/OBP.0548
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dcterms:modified 2026-09-14T08:55:56Z
schema:accessibilitySummary This publication conforms to WCAG 2.0 AA.
schema:accessMode textual | visual
schema:accessModeSufficient textual
schema:accessibilityFeature structuralNavigation | alternativeText
schema:accessibilityHazard none

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Outlines

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TOC Outline

  1. Cover
  2. Title page
  3. Copyright
  4. Dedication
  5. Contents
  6. About the Author
  7. List of Illustrations
  8. 1. Introduction: Apocalypse and Vulnerability
    1. 1.1 The Horsemen of the Apocalypse
    2. 1.2 A Religious and Secular Idea
    3. 1.3 A Powerful Metaphor
    4. 1.4 Degeneration and Decline
    5. 1.5 Apocalyptic Anxieties Nowadays
    6. 1.6 The Covid Apocalypse
    7. 1.7 Pandemic Experiences
    8. 1.8 Powerlessness
    9. 1.9 Undeniable Vulnerability
    10. 1.10 A Fundamental Ethical Challenge
    11. References
  9. 2. The Disquiet of Vulnerability
    1. 2.1 Introduction
    2. 2.2 Uses of Vulnerability
    3. 2.3 The Concept of Vulnerability
    4. 2.4 Concerns with Vulnerability
    5. 2.5 Conclusion
    6. References
  10. 3. Covid-19 and Vulnerability
    1. 3.1 Introduction
    2. 3.2 International Public Health Policies
    3. 3.3 National Policies
    4. 3.4 Interplay and Overlapping of Vulnerabilities
    5. 3.5 Pandemic Lessons
    6. 3.6 A Breaking Point?
    7. 3.7 Scars of the Pandemic
    8. 3.8 Conclusion
    9. References
  11. 4. Developing a Global Ethical Perspective
    1. 4.1 Introduction
    2. 4.2 The Shock of Insecurity
    3. 4.3 Interconnections
    4. 4.4 Different Ethical Discourse
    5. 4.5 The Evolvement of a Global Ethics Framework
    6. 4.6 Global Bioethics
    7. 4.7 An Extended Horizon of Bioethics
    8. 4.8 Core Notion of Relationality
    9. 4.9 Normative Consequences
    10. 4.10 Conclusion
    11. References
  12. 5. The Supposed Impotence of Ethics
    1. 5.1 Introduction
    2. 5.2 Responses to Apocalyptic Views
    3. 5.3 Ethics and Apocalypse
    4. 5.4 The Impotence of Ethics
    5. 5.5 The Object of Ethics
    6. 5.6 Impediments to Practising Ethics
    7. 5.7 Conclusion
    8. References
  13. 6. Resilient Bioethics and the Power of Hope
    1. 6.1 Introduction
    2. 6.2 Resilience
    3. 6.3 Resilient Bioethics
    4. 6.4 The Power of Hope
    5. 6.5 Hope and Healthcare
    6. 6.6 Conclusion: Hope and Bioethics
    7. References
  14. 7. Imaginative Bioethics
    1. 7.1 Introduction
    2. 7.2 Imagination
    3. 7.3 Moral Imagination
    4. 7.4 Another Ethical Horizon
    5. 7.5 History: Different Faces of the Past
    6. 7.6 Globalization: Different Faces of the Present
    7. 7.7 Conclusion
    8. References
  15. 8. Bioethics in Practice
    1. 8.1 Introduction
    2. 8.2 Making Bioethics Resilient
    3. 8.3 Moral Exemplars
    4. 8.4 Actions from the Lifeworld
    5. 8.5 Multilayered Governance
    6. 8.6 Against Apocalyptic Thinking
    7. 8.7 A Path Forward
    8. 8.8 Conclusion
    9. References
  16. Index
  17. About the Team
  18. This book need not end here…
  19. You may also be interested in:
  20. Back cover

Headings Outline

  • BIOETHICS IN APOCALYPTIC TIMES
  • Bioethics in Apocalyptic Times
    • Henk ten Have
  • Contents
  • About the Author
  • List of Illustrations
  • 1. Introduction: Apocalypse and Vulnerability
    • 1.1 The Horsemen of the Apocalypse
    • 1.2 A Religious and Secular Idea
    • 1.3 A Powerful Metaphor
    • 1.4 Degeneration and Decline
    • 1.5 Apocalyptic Anxieties Nowadays
    • 1.6 The Covid Apocalypse
    • 1.7 Pandemic Experiences
    • 1.8 Powerlessness
    • 1.9 Undeniable Vulnerability
    • 1.10 A Fundamental Ethical Challenge
    • References
  • 2. The Disquiet of Vulnerability
    • 2.1 Introduction
    • 2.2 Uses of Vulnerability
    • 2.3 The Concept of Vulnerability
      • 2.3.1 Vulnerability as Anthropological and Social Phenomenon
      • 2.3.2 Normative Implications
      • 2.3.3 The Connection between General and Special Vulnerability
      • 2.3.4 The Example of Ageing
    • 2.4 Concerns with Vulnerability
    • 2.5 Conclusion
    • References
  • 3. Covid-19 and Vulnerability
    • 3.1 Introduction
    • 3.2 International Public Health Policies
    • 3.3 National Policies
    • 3.4 Interplay and Overlapping of Vulnerabilities
      • 3.4.1 General Vulnerability
      • 3.4.2 Special Vulnerability
      • 3.4.3 Vulnerability of Healthcare Workers
      • 3.4.4 Vulnerability of Countries
      • 3.4.5 Vulnerability of Global and National Systems
      • 3.4.6 Vulnerabilities Produced by Responses to the Pandemic
    • 3.5 Pandemic Lessons
    • 3.6 A Breaking Point?
    • 3.7 Scars of the Pandemic
    • 3.8 Conclusion
    • References
  • 4. Developing a Global Ethical Perspective
    • 4.1 Introduction
    • 4.2 The Shock of Insecurity
    • 4.3 Interconnections
      • 4.3.1 Connectedness between Humans
      • 4.3.2 Connectedness between Humans and the Surrounding World
    • 4.4 Different Ethical Discourse
    • 4.5 The Evolvement of a Global Ethics Framework
    • 4.6 Global Bioethics
    • 4.7 An Extended Horizon of Bioethics
    • 4.8 Core Notion of Relationality
    • 4.9 Normative Consequences
    • 4.10 Conclusion
    • References
  • 5. The Supposed Impotence of Ethics
    • 5.1 Introduction
    • 5.2 Responses to Apocalyptic Views
      • 5.2.1 Rejection
      • 5.2.2 Resignation
      • 5.2.3 Resistance
      • 5.2.4 Reappraisal
    • 5.3 Ethics and Apocalypse
    • 5.4 The Impotence of Ethics
    • 5.5 The Object of Ethics
    • 5.6 Impediments to Practising Ethics
      • 5.6.1 External Barriers
      • 5.6.2 Internalized External Barriers
      • 5.6.3 Internal Barriers
    • 5.7 Conclusion
    • References
  • 6. Resilient Bioethics and the Power of Hope
    • 6.1 Introduction
    • 6.2 Resilience
    • 6.3 Resilient Bioethics
      • 6.3.1 Medical Ethics
      • 6.3.2 Bioethics
      • 6.3.3 Global Bioethics
      • 6.3.4 New Context and Challenges
    • 6.4 The Power of Hope
      • 6.4.1 Vulnerability
      • 6.4.2 Projection of the Future
      • 6.4.3 Envisioning Action
      • 6.4.4 Value Orientation
      • 6.4.5 Communal Dimension
    • 6.5 Hope and Healthcare
    • 6.6 Conclusion: Hope and Bioethics
    • References
  • 7. Imaginative Bioethics
    • 7.1 Introduction
    • 7.2 Imagination
    • 7.3 Moral Imagination
    • 7.4 Another Ethical Horizon
    • 7.5 History: Different Faces of the Past
    • 7.6 Globalization: Different Faces of the Present
    • 7.7 Conclusion
    • References
  • 8. Bioethics in Practice
    • 8.1 Introduction
    • 8.2 Making Bioethics Resilient
    • 8.3 Moral Exemplars
    • 8.4 Actions from the Lifeworld
    • 8.5 Multilayered Governance
    • 8.6 Against Apocalyptic Thinking
    • 8.7 A Path Forward
    • 8.8 Conclusion
    • References
  • Index
  • About the Team
  • This book need not end here…
    • Share
    • Donate
    • We invite you to connect with us on our socials!
    • Read more at the Open Book Publishers Blog
  • You may also be interested in:
  • Contents
    • Landmarks

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Book cover for ‘Bioethics in Apocalyptic Times’ by Henk ten Have. An impressionistic oil painting, reproduced in muted ochre, grey and rust tones, depicts three horses and riders galloping in dramatic motion across a hazy landscape. Loose, expressive brushwork evokes a scene of urgent, chaotic movement, with one rider appearing to brandish a scythe-like implement and another a raised banner. The title appears in dark serif type at the upper right, with the author’s name below. N/A N/A N/A cover.xhtml#epubcfi(/4/2/2) doc-cover
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A monochrome woodcut of the Four Horsemen of the Apocalypse, signed with the ‘AD’ monogram associated with Albrecht Dürer’s celebrated 1498 print from his Apocalypse series. Beneath swirling, densely hatched clouds and a winged angel pointing downward, four mounted figures charge forward: a rider raising a sword overhead, two crowned kings behind him – one drawing a longbow – and, in the foreground, a gaunt, skeletal old man wielding a trident-like fork. Their horses trample fallen figures below, including a bishop, while at lower left the gaping jaws of a monstrous creature appear to devour a victim. N/A N/A N/A ch1.xhtml#epubcfi(/4[Ten-Have-0548]/2[Container015]/10/2[Container011]/2) N/A
A dramatic oil painting of the Four Horsemen of the Apocalypse, consistent with Viktor Vasnetsov’s 1887 painting of the subject. Four horses surge across a stormy sky: a pale horse ridden by a skeletal figure (Death), a black horse ridden by a gaunt rider holding scales (Famine), a red-brown horse ridden by a bare-chested warrior swinging a sword overhead (War), and a white horse ridden by a crowned, bearded king drawing a bow (Conquest). In the dark clouds above, a faint rainbow frames a haloed lamb, while below, fallen soldiers, broken columns and scattered bodies litter a devastated battlefield. N/A N/A N/A ch1.xhtml#epubcfi(/4[Ten-Have-0548]/2[Container015]/18/2[Container012]/2) N/A
A printed title page reading ‘THE LAST MAN. BY THE AUTHOR OF FRANKENSTEIN. IN THREE VOLUMES’, identifying the anonymous first edition of Mary Shelley’s 1826 novel. Below the title, an epigraph from Milton reads: ‘Let no man seek Henceforth to be foretold what shall befall Him or his children.’ The page is marked ‘VOL. I.’ and imprinted ‘LONDON: HENRY COLBURN, NEW BURLINGTON STREET. 1826.’ N/A N/A N/A ch1.xhtml#epubcfi(/4[Ten-Have-0548]/2[Container015]/32/2[Container013]/2) N/A
A colour photograph of Dam Square in Amsterdam, taken from ground level beside a weathered stone lion statue on a plinth in the foreground. Across the square stands the Royal Palace, with its green-domed clock tower, and beside it the Gothic spire of the Nieuwe Kerk. Overhead tram wires cross the sky, and a scattering of pedestrians and pigeons occupy the otherwise largely empty cobbled square under clear morning light. N/A N/A N/A ch1.xhtml#epubcfi(/4[Ten-Have-0548]/2[Container015]/70/2[Container014]/2) N/A
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A colour photograph of two masked healthcare workers, one in a white coat and one in blue scrubs with a surgical cap, attending to a patient lying on an examination table. The patient’s head and shoulders are enclosed within a clear plastic aerosol containment box fitted with armholes, a piece of protective equipment used to shield staff during procedures such as intubation. N/A N/A N/A ch3.xhtml#epubcfi(/4[Ten-Have-0548]/2[Container025]/78/2[Container022]/2) N/A
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A black and white photograph of an elderly man in a grey suit and tie, seen in side profile, seated at a desk and writing on a sheet of paper with a pen. Papers and books are stacked at the edge of the desk behind him, and the background is in deep shadow. N/A N/A N/A ch4.xhtml#epubcfi(/4[Ten-Have-0548]/2[Container031]/18/2[Container027]/2) N/A
A colour photograph of a workshop set up inside an ornately decorated hall with patterned onyx-marble walls and Persian carpets, where several women wearing headscarves and face masks operate sewing machines to produce protective face masks. A banner with Persian text and a portrait is displayed on the wall, and boxes of completed masks sit on the floor nearby, indicating a community mask-production initiative, apparently in Iran. N/A N/A N/A ch4.xhtml#epubcfi(/4[Ten-Have-0548]/2[Container031]/42/2[Container028]/2) N/A
A close-up colour photograph of an elderly bald man resting his chin on his hand beside a microphone on a stand, set against a plain dark blue background. He wears a grey knitted cardigan and appears to be listening attentively during a public talk, interview, or panel discussion. N/A N/A N/A ch4.xhtml#epubcfi(/4[Ten-Have-0548]/2[Container031]/100/2[Container029]/2) N/A
A black and white photograph of an elderly man with a long, full white beard and moustache, wearing a dark wide-brimmed hat, tweed overcoat, and a patterned cravat. He looks directly at the camera with a solemn expression, with another partially visible figure and indistinct furnishings in the background. N/A N/A N/A ch4.xhtml#epubcfi(/4[Ten-Have-0548]/2[Container031]/110/2[Container030]/2) N/A
A dark, moody oil painting in the Romantic tradition, depicting a robed figure standing alone on a rocky outcrop overlooking a ruined, moonlit or fire-lit cityscape. A small red sun or moon glows low on the horizon amid heavy storm clouds, while a bird perches nearby on the rocks; the sombre palette and apocalyptic mood recall the biblical landscape paintings of artists such as John Martin, though the specific work has not been confirmed. N/A N/A N/A ch5.xhtml#epubcfi(/4[Ten-Have-0548]/2[Container037]/30/2[Container033]/2) N/A
A colour photograph of a climate protest at the Brandenburg Gate in Berlin, with activists wearing orange high-visibility vests standing in the road holding banners reading ‘LETZTE GENERATION’ (‘Last Generation’), the name of a German climate activist group. Some protesters sit on the tarmac in the background near a police car, while the Gate’s columns and Quadriga statue are visible under a clear blue sky. N/A N/A N/A ch5.xhtml#epubcfi(/4[Ten-Have-0548]/2[Container037]/54/2[Container034]/2) N/A
A black and white photograph, apparently from the late 1960s, showing a balding man in a white shirt and glasses speaking from a lectern fitted with several microphones, addressing a densely packed crowd of young people seated around him. The audience’s clothing and hairstyles are typical of the period, suggesting a university lecture or public address during the era of student protest movements; the speaker’s identity has not been confirmed and should be checked against the source caption. N/A N/A N/A ch5.xhtml#epubcfi(/4[Ten-Have-0548]/2[Container037]/60/2[Container035]/2) N/A
A colour oil portrait of a young man with curly reddish-brown hair and blue eyes, wearing a dark brown coat over a high white cravat, gazing slightly to one side against a plain blue-grey background. The composition and sitter closely match Ludwig Sigismund Ruhl’s 1815 portrait of the philosopher Arthur Schopenhauer as a young man. N/A N/A N/A ch5.xhtml#epubcfi(/4[Ten-Have-0548]/2[Container037]/152/2[Container036]/2) N/A
A richly patterned painting by Gustav Klimt, consistent with his 1907–08 work ‘Hope II’, depicting a pregnant woman with bowed head and closed eyes, her body draped in an ornate golden robe decorated with circular motifs against a mottled green and gold background. Below her, three kneeling or bowed figures with clasped hands appear partially obscured by a skull-like face within the drapery, while a swirling, colourful patterned panel runs down the left side of the composition. N/A N/A N/A ch6.xhtml#epubcfi(/4[Ten-Have-0548]/2[Container042]/54/2[Container039]/2) N/A
A black and white photograph of an elderly man with a full white beard and round spectacles, wearing a dark hat and a formal dark coat and waistcoat with a high white collar. He is photographed from the chest up against a plain panelled wall, looking directly at the camera with a composed, formal expression. N/A N/A N/A ch6.xhtml#epubcfi(/4[Ten-Have-0548]/2[Container042]/74/2[Container040]/2) N/A
A large, richly coloured oil painting by Paul Gauguin, consistent with his 1897 work ‘D’ou venons-nous? Que sommes-nous? Ou allons-nous?’ (‘Where Do We Come From? What Are We? Where Are We Going?’), with the French title inscribed in the upper left corner. Set within a dreamlike Tahitian landscape, the composition unfolds across a wide horizontal canvas: an elderly woman crouches at the far left near a white bird, while at the centre a bare-chested figure reaches upward to pluck fruit from a tree, flanked by seated and standing Tahitian women, children, animals, and a pale blue carved idol; at the far right, a sleeping infant lies beside a group of young women. N/A N/A N/A ch6.xhtml#epubcfi(/4[Ten-Have-0548]/2[Container042]/92/2[Container041]/2) N/A
A sepia-toned photographic portrait of a nun wearing a dark habit and white wimple, her head slightly bowed and gaze directed downward and to one side. The soft focus and formal, contemplative pose are typical of early twentieth-century religious photography; the sitter’s dress and features closely resemble published photographs of the Carmelite nun and philosopher Edith Stein (Saint Teresa Benedicta of the Cross), though this identification should be checked against the source caption. N/A N/A N/A ch7.xhtml#epubcfi(/4[Ten-Have-0548]/2[Container047]/32/2[Container044]/2) N/A
A two-panel comparison photograph showing one of the Buddhas of Bamiyan in Afghanistan before and after its destruction. The left-hand black and white image shows the colossal rock-cut standing Buddha carved into the cliff face, with small figures at its base indicating its scale; the right-hand colour image shows the same site after the statue’s demolition by the Taliban in 2001, its empty niche now containing only rubble and temporary protective shelters. N/A N/A N/A ch7.xhtml#epubcfi(/4[Ten-Have-0548]/2[Container047]/88/2[Container045]/2) N/A
An oval painted portrait of a balding man with a thin moustache and small beard, wearing a wide pleated ruff collar, a patterned doublet, and a red fur-lined robe. Around his neck hangs a gold chain decorated with scallop shells and a pendant medallion, consistent with the collar of the Order of Saint Michael; the sitter’s dress and features closely match traditional portraits of the French philosopher and essayist Michel de Montaigne. N/A N/A N/A ch7.xhtml#epubcfi(/4[Ten-Have-0548]/2[Container047]/132/2[Container046]/2) N/A
A colour photograph, apparently a video still, of a man in a dark suit, pale blue shirt and patterned yellow tie, speaking from a wooden lectern fitted with two microphones and an open laptop. He wears wire-framed glasses and stands against a heavy red stage curtain, with a water bottle resting on the lectern beside him. The speaker’s identity has not been confirmed and should be verified against the source caption. N/A N/A N/A ch8.xhtml#epubcfi(/4[Ten-Have-0548]/2[Container052]/34/2[Container049]/2) N/A
A colour photograph of Earth taken from space, showing a partially illuminated globe against the black backdrop of space. Swirling white cloud formations cover much of the ocean surface, with a landmass visible near the centre of the illuminated hemisphere; the image appears consistent with early space-era photographs of the whole Earth, though the specific mission has not been confirmed. N/A N/A N/A ch8.xhtml#epubcfi(/4[Ten-Have-0548]/2[Container052]/56/2[Container050]/2) N/A
A colour photograph of a crowded street scene, with pedestrians dispersing amid a large cloud of white smoke or tear gas rising in the middle distance. Shopfronts, an awning reading ‘Compro Oro’ (a gold-buying shop, suggesting a Spanish-speaking city), overhead cables, and flags line the street, and several people can be seen covering their faces or running, consistent with a scene of civil unrest, though the specific location and date have not been confirmed. N/A N/A N/A ch8.xhtml#epubcfi(/4[Ten-Have-0548]/2[Container052]/100/2[Container051]/2) N/A
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A book cover with layered abstract waves in shades of blue, purple, red, and orange featuring the title “Color, Healthcare and Bioethics” by Henk ten Have. N/A N/A N/A further-reading.xhtml#epubcfi(/4[Ten-Have-0548]/2[Container069]/4/4/2[Container062]/2) N/A
A book cover with a purple and red abstract design resembling a cluster of cells or spores and the title “Chance Encounters A Bioethics for a Damaged Planet” by Kristien Hens. N/A N/A N/A further-reading.xhtml#epubcfi(/4[Ten-Have-0548]/2[Container069]/6/4/2[Container064]/2) N/A
The cover of a book titled “Bioethics A Coursebook” by Compost Collective features an abstract landscape with textured, colorful hills in shades of green, yellow, and purple under a pale pink sky. N/A N/A N/A further-reading.xhtml#epubcfi(/4[Ten-Have-0548]/2[Container069]/8/4/2[Container066]/2) N/A
A book cover featuring a complex network of glowing blue lines over a dark cityscape background with the title “Ethics of Socially Disruptive Technologies An Introduction” and a list of editors on a red and white geometric design. N/A N/A N/A further-reading.xhtml#epubcfi(/4[Ten-Have-0548]/2[Container069]/10/4/2[Container068]/2) N/A
Back cover for ‘Bioethics in Apocalyptic Times’ by Henk ten Have. N/A N/A N/A back-cover.xhtml#epubcfi(/4/2/2) N/A