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Cover: The American Archipelago by Oscar Handlin and Kenneth Weisbrode. Book cover split between a light grey upper panel with the title “The American Archipelago” and a sepia historical photograph below showing immigrants disembarking from a crowded ferry. The subtitle explains it is a new edition of Oscar Handlin’s anthology, edited by Kenneth Weisbrode. Cover image: ‘Arriving at Ellis Island’ (1 June 1915). Digital file from original negative, Library of Congress, https://commons.wikimedia.org/wiki/File:Arriving_at_Ellis_Island_LCCN2014710703.tif?page=1. Cover design: Jeevanjot Kaur Nagpal |
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Map labelled ‘English and French Settlements in North America, 1771’, showing colonial territories along the eastern seaboard and interior regions with period cartographic detail. |
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Engraving titled 'Indian Households', depicting Indigenous North American domestic life with figures cooking, grinding grain, weaving and tending fires in an open settlement landscape. |
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Early nineteenth-century view titled 'A View of the Boats and Manner of Navigating on the Mohawk River, 1810', showing long boats propelled by crews with poles and oars beside a wooded riverbank. |
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Plate titled 'North America – Street Scenes, 1820', featuring three engraved views of Philadelphia including Second Street, the United States Bank, and High Street with period buildings and horse-drawn carriages. |
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Map titled 'Carte d'Etats Unis', illustrating routes across the United States with major cities, rivers and topographical features marked. |
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Black and white illustration of a rural homestead surrounded by tall trees, with a wooden house and fenced yard. Several figures, including men and children, stand and walk near a horse-drawn cart and grazing animals, suggesting a nineteenth-century countryside scene. |
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Engraving of a Mississippi steamboat moored at a riverside landing, smoke rising from twin funnels, with figures gathered along the bank and a town building behind and illustration labelled 'Stoombrandspuit te Cincinnati', showing a horse-drawn steam fire engine racing through a city street, firefighters and bystanders in motion amid smoke. |
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Nineteenth-century engraving titled 'Hair Fixing', depicting an interior hairdressing scene with several figures in a furnished room, mirrors, lamps and upholstered chairs visible. |
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A black-and-white card with a large, bold number ‘19’ centred. Surrounding it are smaller numbers scattered on both sides: on the left side appear the numbers 8, 12, 18, 22, 26, 30, and 36; on the right side appear the numbers 44, 51, 58, 62, 68, 76, 79, and 83. |
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Map titled ‘A Traveler’s Route, 1885’, illustrating railway and travel routes across the United States and Canada with major cities, rivers and topographical features marked. |
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Engraving captioned 'Reno Station, Nevada, 1875', showing a busy railway depot with horse-drawn coaches, crowds of passengers and timber buildings beside the tracks. |
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Two detailed architectural drawings labelled in Dutch, showing the old and new post office buildings. The upper image features a church-like structure with a tower and flag, while the lower image presents a grander, ornate civic building from the Gilded Age with horse-drawn carriages in front. |
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Engraving of Ragpickers Court on Mulberry Street, New York, showing a crowded tenement courtyard. Men, women and children gather in a narrow, cluttered space with washing strung overhead, conveying the cramped living conditions of urban poverty. |
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Black and white photograph of a grain elevator and flour mill complex beside a river. Tall industrial buildings, silos and a crane rise above the water, reflecting the industrial scale and modernisation of American agriculture. |
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Black and white photograph titled 'The Old-Time Worship: Aimee McPherson Ministers to the Converted' showing a woman evangelist leaning over a fainted congregant during a religious service. Attendants in white garments with crosses assist, creating an intense revivalist atmosphere. |
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Historic black and white photographs depicting a lynching in San Jose, California. A large crowd gathers outside a building at night, while two men are shown hanging from trees as onlookers stand below, illustrating racial violence in early twentieth-century America. |
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Black and white photograph titled 'Erosion: People and Soil' showing a man standing on a wooden porch overlooking deeply eroded farmland. The landscape is scarred with gullies and exposed earth, with sparse vegetation and a bleak, windswept appearance. |
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Back cover: The American Archipelago by Oscar Handlin and Kenneth Weisbrode. |
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