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Book cover for Teaching Dido: Critical Perspectives on Aeneid 4, edited by Ingo Gildenhard. Against a dark, golden-brown classical illustration, a crowned female figure, representing Dido, stands in draped robes holding a small urn and a long staff or sceptre. She is positioned beside architectural columns, wooden structures and palm-like foliage, creating an ancient Mediterranean setting. A black title panel at the bottom contains blue and white text with the editor’s name, book title and subtitle. |
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Open Access logo |
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Large sheet with a pale outline engraving of Aeneas watching Dido and her companions on a rocky shore, while storm-tossed figures and ships appear at sea. The print sits within wide margins with a colour scale at the bottom. |
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Large allegorical engraving of the Triumph of Fame, with a winged figure blowing a trumpet from a chariot drawn by lions. Famous women and men gather around the procession, with labelled figures and a Latin inscription below. |
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Engraving of Dido standing in a columned palace loggia, holding a dagger behind her and reaching outward in anguish. Her classical drapery exposes one shoulder, and a Greek inscription appears on a hanging tablet nearby. |
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Engraving of Dido by a tree and burning pyre, twisting away while holding a dagger and extending her other hand. A landscape with water, buildings, and a Greek inscription on a tablet frames the tragic scene. |
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Engraving of Dido inside an architectural setting, leaning from a balcony with one arm extended and a dagger held behind her. Her drapery billows around her body, with a Greek inscription on a hanging tablet beside her. |
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Engraving of Dido standing beside a tree and a funeral pyre, holding a dagger and turning away in grief. A tablet with Greek text leans against the tree, and the Latin caption below describes her decision to die. |
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Book page from Promptuarium Iconum showing two circular portrait medallions labelled Sichaeus and Dido above Latin biographical text. The page is numbered 74 and printed in dense early modern type. |
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Marble relief of a nude classical female figure, possibly Dido, leaning against a draped architectural panel. Her raised arm crosses her chest as she looks to the side, with flowing hair, a pedestal, and faint Latin inscription below. |
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Diagram comparing ancient literary passages about love as a wound, with Greek and Latin excerpts from Euripides, Ennius, Catullus, Lucretius, and Virgil. Arrows and question marks indicate possible lines of influence between the texts. |
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Engraving of Mercury descending from the sky towards Aeneas, who reclines beneath trees beside Cupid and a child in a basket. A female attendant pours water nearby, with a river landscape and distant buildings behind them. |
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Loose black crayon or lithographic print of a woman standing in a wooded landscape near a river or path, with dense sketchy shading around trees, rocks and distant hills under a bright sun. |
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Black-and-white linocut or woodcut titled ‘Circe II’, depicting a stylised dark female figure with a patterned headdress standing among bold tropical plants and geometric shapes, with a large panther-like animal crossing the foreground. |
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Close-up photograph of a red-figure Greek vase showing a bent archer on the left aiming downward and a large helmeted warrior’s head or shield on the right, framed by black handles and a floral border near the rim. |
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Black-and-white photograph of a white marble statue labelled ‘Medea’, showing a downcast woman in classical dress standing on a plinth, one arm folded across her body and the other hand gripping a dagger behind her waist. |
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Colour star chart titled ‘Boötes, Canes Venatici, Coma Berenices, and Quadrans Muralis’, showing a muscular male figure holding a staff and the leash of two black hunting dogs, with a flowing lock of hair for Coma Berenices and labelled stars and neighbouring constellations across the sky map. |
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Reproductive print from the Dresdner Galerie labelled ‘Kauffmann: Ariadne’, showing Ariadne seated on rocks by the sea with one arm raised towards a distant ship, while a small winged Cupid crouches beside her. |
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Small bronze statuette of a nude female figure, possibly a mythological heroine, standing with one arm lowered and the other holding a short curved object or blade, her head tilted upward against a plain grey background. |
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Engraving showing a richly dressed man standing in an interior while a seated woman drinks from a cup; a Latin inscription appears above them. |
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Page from a sketchbook with two pencil drawings of standing women in draped classical clothing; the left figure is veiled and labelled ‘Ariadne’, while the right figure holds an object and is labelled ‘Dido’. |
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Photograph of an irregular bronze or greenish metal object with incised diagrams, lettering and raised forms, including a cone-like projection and small mounted shapes, displayed against a white background. |
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Black-and-white engraving of a crowded classical battle scene, with armoured soldiers on horseback and on foot fighting among fallen figures, raised spears, shields and billowing clouds of dust. |
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Black-and-white engraving showing Dido welcoming Aeneas and his armed companions at a palace entrance, with ships, sea winds and storm-tossed figures visible in the harbour behind them. |
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Ancient red-figure vase painting of two women beside a tall column; one leans forward holding a sword or stylus towards the other, while a small winged figure stands on a pedestal nearby. |
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Dramatic historical painting of the Trojan Horse under attack, with nearly nude warriors pulling ropes and striking the wooden structure while helmeted soldiers and city walls appear in the background. |
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Colour photograph of a performer in a white pleated dress seated beside a piano, smiling towards the camera, with wigs, jewellery and accessories arranged on top of the instrument behind them. |
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Small woodcut-style portrait labelled ‘Ennius poeta’, showing a robed poet or scholar seated with an open book, framed by a simple rectangular border on aged paper. |
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Dark, atmospheric painting of a burning ancient city at night, with orange flames illuminating an arched bridge, classical buildings, statues, boats and small fleeing figures in the foreground. |
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Featured book cover showing a woman in a red dress standing next to a man in a red robe |
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QR code link to webpage of featured book showing a man is holding a baby strapped to a spear |
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A Featured book cover showing mosaic artwork of a man and a woman |
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Featured book cover showing a woman with a headpiece on her head. |
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Back cover for Teaching Dido: Critical Perspectives on Aeneid 4, edited by Ingo Gildenhard. |
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