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Book cover for 'The Doctrine of One: Personal Encounters with Film, Art and Music' by Michael Beckerman. Against a black background, the title appears in large cream serif capitals, with the subtitle in rust-orange type below and the author's name in cream capitals beneath. Along the lower edge, a strip of a colourful, hand-tinted print is reproduced, showing a stylised procession of elongated, robed and masked figures, some playing instruments including a double bass and trumpet, alongside a reclining figure, a bell, and a ribbon of musical notation, with handwritten annotations beneath each vignette. |
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Black-and-white film still of a man covering his ears with both hands while a woman with curled blonde hair leans towards him, seated at a table with a bottle and glasses, in a room with venetian blinds and curtains. |
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Photograph of a green rural valley with a small village of red-roofed houses nestled among wooded hills, a solitary tree in the foreground meadow, under a partly cloudy sky. |
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Excerpt from an orchestral score marked 'Andante', showing four string parts and a percussion line with dynamic markings, bowing instructions and con sordino indications across two systems of music. |
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Handwritten manuscript page of a piano song in Czech, headed 'Živě' (Lively) and 'Klavír' (Piano), with a vocal melody and lyrics beginning 'Buď tam, přišel...' set above chordal piano accompaniment across four systems; an inscription at the foot reads 'píseň Brea slova, A 29484'. |
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Handwritten musical manuscript with a Hebrew-texted vocal line, inscribed 'Složeno v Terezíně, 30.XI.1942' (Composed in Terezín, 30 November 1942) and dedicated 'Panu inž. Otto Zuckerovi věnuje autor' (Dedicated to Mr Otto Zucker, engineer, by the author), signed with a flourished signature. |
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Close-up detail of a handwritten musical score, showing densely notated staves with beamed quavers and semiquavers rendered in bold, expressive pen strokes, with no accompanying text. |
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Black-and-white film still of a woman seated at a sewing machine in a flower-papered room, looking down at her work, while a man in braces and a striped shirt stands beside a window looking downward. |
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Black-and-white film still showing a man seen from behind wearing braces over a striped shirt, standing in a wallpapered room beside a small framed portrait photograph of a young man displayed on a cabinet. |
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Black-and-white film still of a man seen from behind in a darkened room, facing a lit lamp on a shelf beside carved figurines, a stack of books and a framed portrait photograph. |
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Black-and-white film still of a man in an overcoat and tie standing beside a bed with striped bedding, looking down, in a room furnished with lamps, framed pictures and a sofa. |
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Black-and-white film still of a heavyset man in a light suit and dark tie standing in a shadowed room, looking down with a troubled expression, while a man in a peaked cap stands in silhouette to the right. |
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Sepia-toned photographic double exposure showing two overlapping profile portraits of a man's head and shoulders, both facing left, one image layered behind the other. |
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Album cover for 'Fata Morgana: Song by Pavel Haas' on the Resonus label, featuring a stylised painting of a blue-toned face with closed eyes against a blue background scattered with pink and green flowers, with the performers Anita Watson, Anna Starushkevych, Nicky Spence, James Platt, the Navarra Quartet and Lada Valešová listed alongside. |
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Black-and-white film title still reading 'Fata Morgana, composed by Hugo Haas', with the additional titles 'Born to Be Loved' and 'One Good Kiss' and credits for Walter Bullock and Ewie Tola, superimposed over a scene of a young man seated at a desk reading a newspaper headlined 'Express'. |
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Colour cinema lobby card for the film 'Hit and Run', showing a scene reflected in a tall mirror of a woman in a red dress and two men in a bedroom, with the film's title, a car-and-body graphic, and cast credits for Cleo Moore, Hugo Haas and Vince Edwards printed below, and an official approval stamp in the top corner. |
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Grainy black-and-white photograph of an orchestra performing, showing string players seen from behind reading from music stands, with a conductor visible at the far left. |
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Black-and-white photograph of a chamber orchestra rehearsal on a small stage, with seated string players reading from music stands amid potted flowers, a conductor standing at the front addressing the group, and members of an audience visible in the foreground. |
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Black-and-white studio portrait of a family group of four: a young man, a woman wearing pearl necklaces and a lace-trimmed blouse, a moustached man in a tweed suit and striped tie, and another young man wearing a bow tie, standing closely together against a plain backdrop. |
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Photograph of an open, leather-bound album held up by a person wearing a black-and-red checked skirt, displaying a vividly coloured abstract painting in green, yellow and orange on the left page, propped on black wedge-shaped stands. |
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Colour print of a mountain landscape at dusk, with the silhouetted branches of a large pine tree framing a view of layered blue hills beneath a glowing orange and grey sky. |
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Black-and-white photograph of a seated man wearing round spectacles, a bow tie and a tweed suit, holding a pipe, positioned in front of elaborately painted wall panels depicting stylised animals, birds and a small white cat amid decorative patterning. |
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Photograph of a small room with every surface densely painted in vivid, colourful murals of figures, angels and abstract patterns across the walls and ceiling, with two white-framed windows, a wooden table and chairs, and a group of carved, painted wooden masks in the foreground. |
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Two ex libris bookplate prints shown side by side: the left, in black and white, depicts a devil and an angel flanking a robed figure above a bridge over a crescent moon and sun, inscribed 'Ex Libris Ing. Dr. Jar. Polívka'; the right, in colour, depicts two classically draped figures with a swan, inscribed 'Ex Libris Dr. Ing. St. J. Novákovi'. |
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Woodcut bookplate print on deckle-edged paper reading 'Ex Libris Franta Procházka', depicting a standing nude male figure reaching towards a stylised gnarled tree beneath a decorative border of birds and foliage. |
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Colour woodcut print in an expressionist style, densely composed with intertwined skeletal and animal-like figures, disembodied hands, and grotesque creatures rendered in overlapping orange, green, yellow and blue hatched lines. |
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Colour propaganda print titled 'České Exlibris' (Czech ex libris), combining a swastika and a green-tinted winged figure in the upper left with a caricatured bearded figure in a red robe and top hat, drawn in the style of antisemitic caricature, gesturing over a bound, tattooed man labelled 'INTELEKT' across the centre; a small altar bearing a Star of David and a lamb stands at the lower centre, with the title lettered across the foot of the composition. |
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Close-up detail of the 'České Exlibris' print with a small inset map of the Czech Republic overlaid on the image, showing towns and cities including Prague, Plzeň and Karlovy Vary, positioned above the bound figure labelled 'INTELEKT'. |
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Close-up detail of the 'České Exlibris' print showing the bound, tattooed figure labelled 'INTELEKT', lying beneath the red-robed figure with a small lamb depicted at his feet. |
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Close-up detail of the 'České Exlibris' print showing a small grotesque goblin-like figure crouched beside a stack of books, partly obscured by the folds of the red robe above. |
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ch2.xhtml#epubcfi(/4[Beckerman-0510]/2[Container061]/84/2[Container052]/2) |
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Colour propaganda print titled 'České Exlibris' (Czech ex libris), combining a swastika and a green-tinted winged figure in the upper left with a caricatured bearded figure in a red robe and top hat, drawn in the style of antisemitic caricature, gesturing over a bound, tattooed man labelled 'INTELEKT' across the centre; a small altar bearing a Star of David and a lamb stands at the lower centre, with the title lettered across the foot of the composition. |
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Screenshot of an Aukro online auction listing in Czech for a signed print by Josef Váchal described as a Czech ex libris with an anti-Nazi theme, showing a thumbnail of the 'České Exlibris' print, a listed price of 7,999 Kč, and auction details including that the item did not sell. |
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Colour woodcut ex libris print depicting a grotesque green-faced female figure with a Nazi eagle bearing a swastika perched above her head, a small red devilish figure at her shoulder, and hand-lettered text at the right framing the composition. |
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ch2.xhtml#epubcfi(/4[Beckerman-0510]/2[Container061]/124/2[Container055]/2) |
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Colour woodcut ex libris print with 'Ex Libris' inscribed down the left margin and an owner's name inscribed down the right margin, dominated by a Nazi eagle bearing a swastika at the top, a menacing central face, a row of small skulls, a coiled serpent or dragon at the lower left, and a knife-wielding figure at the lower right. |
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Close-up detail of a colour illustration in orange, brown and black tones, showing a hooded or capped figure's face in profile against a patterned background with a fragment of lettering reading 'KA'. |
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Colour woodcut ex libris print signed 'J. Váchal', depicting a bare-shouldered woman's head and shoulders at the centre, flanked by two robed figures brushing or anointing her hair, with stars and stylised hands surrounding her, and a banner at the foot inscribed 'Ex Libris Vladimíra Nora'. |
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Excerpt from a printed musical score at bar 137, featuring a B-A-C-H motif enclosed in a box, followed by a vocal line texted with the Czech hymn 'Kdož jste boží bojovníci' for a part labelled 'Rachel', and a further staff with the German hymn text 'Nun danket alle Gott'. |
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Photograph of an ornately gilt-framed oil painting displayed at an antiques fair, depicting an elderly man playing a violin beside a hearth while a young girl holding a swaddled infant looks on, set within a rustic cottage interior; a pair of fire-iron handles and the edges of neighbouring framed pictures are visible in the foreground. |
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Photograph of a closed antique mahogany gramophone cabinet with a hinged lid, a hand-crank visible at the side, and two small cupboard doors with round knobs at the front, standing on a wood-veneer table. |
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Photograph of an antique wooden Victrola gramophone with its lid raised, showing a record on the turntable, a curved metal tone arm and soundbox, and a woven speaker grille on the front panel, set on ornate furniture. |
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Black-and-white studio portrait of a man wearing a suit, white shirt and patterned tie, photographed from the chest up against a plain background. |
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Black-and-white photograph of a boy and a man play-boxing on a porch, both with fists raised in a sparring pose, the man wearing a sleeveless vest and shorts. |
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Black-and-white photograph of a man in a flat cap and striped shirt leaping joyfully across a lawn, one arm outstretched and the other raised holding a tennis racket aloft. |
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Printed order of service headed 'Order of Service', listing musical items and speakers including an organ prelude by Frescobaldi and Sweelinck, a welcome by Steven Marcus, a reading by William Coco, interludes including music by Michael Beckerman and Schubert's Quintet in C, D.956, recollections from several named individuals, a closing reading from The Tempest, and a final organ prelude of Bach's Prelude and Fugue in G Major. |
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Weathered grey headstone carved with two rose emblems and the inscription 'In revered and loving memory of John Saunders, artist and musician, 1868–1919', beneath which a line of musical notation and two lines from Shakespeare's Sonnet XVIII are engraved. |
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Photograph of a handwritten musical transcription on lined paper, headed 'From the Quintet in C, Schubert op. 166', with three staves of melody notated in pencil, photographed lying on a computer keyboard whose keys are faintly visible through the paper. |
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Heavily distorted, low-resolution colour photograph, apparently reproduced from a screen or old video still, showing a vintage two-tone car parked on a tree-lined street. |
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Heavily distorted, low-resolution colour photograph, apparently a video still, showing an indistinct close-up of a car's interior with a dashboard and window visible, the image dominated by static-like noise and colour bleed. |
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Album cover for a Decca Gold Label Series LP of Schubert's Piano Quintet in A major, Op. 114, 'The Trout', featuring an abstract mid-century pattern of interlocking green swirls and ribbons, with the performers Adrian Aeschbacher, Rudolph Koeckert, Oskar Riedl, Josef Merz and Franz Ortner listed at the lower left. |
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Diagram illustrating the psychologist Manfred Clynes's theory of a composer's 'inner pulse', showing paired wave-form graphs for performances of works by Mozart and Beethoven by pianists including Serkin, Naegele, Casals and Perahia, each labelled with the relevant work and movement, alongside a scale bar marking one second and 200 grams of force. |
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Photograph of a yellow and pink stuccoed church with a tall spired bell tower topped by a red roof, viewed across an adjoining cemetery filled with granite headstones and floral tributes, under a clear blue sky. |
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Photograph of an archway in a mustard-coloured stuccoed wall topped with barbed wire, inscribed with the sign 'Arbeit Macht Frei', opening onto a brick-paved courtyard with barred windows, at what appears to be a former camp or fortress entrance. |
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Page of handwritten manuscript music in pencil, densely annotated with performance directions including 'pizzicato', 'arco', 'con gran espressione, quasi improvisato senza rigore' and 'senza sordino', across three systems of multi-stave notation with irregular bar lengths and time-signature changes. |
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Black-and-white photograph of a brick watchtower with barred windows, set into a high perimeter wall topped with barbed wire, standing on an area of open grass. |
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Back cover for 'The Doctrine of One: Personal Encounters with Film, Art and Music' by Michael Beckerman. |
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