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TOC Outline

1. Cover
2. Title page
3. Copyright
4. Contents
5. Acknowledgements
6. Notes on Contributors
7. List of Illustrations
8. Foreword
9. Introduction: Written and Unwritten Literary Geographies
10. Doing World Literature from the Perspective of Oral Texts
11. 1. A Hero’s Many Worlds
12. 2. Ecopoetic and Ecolinguistic Approaches to ‘Broken Places’
13. 3. The Novelization of Orature in Ethiopian Village Novels
14. 4. Fluid Texts
15. 5. Erasure and Rehabilitation of the Halqa in Morocco
16. 6. A Contextual and Functional Analysis of Na’o Folk Songs
17. 7. Orature Across Generations Among the Guji-Oromo of Ethiopia
18. 8. Sephardi Orature and the Myth of Judeo-Spanish Hispanidad
19. 9. Two Tracks
20. 10. Morocco’s Popular Culture Powerhouse
21. 11. Dissenting Voices of Cairo
22. Index
23. About the Team
24. This book need not end here…
25. You may also be interested in:
26. Back cover

Headings Outline

• Contents
• Acknowledgements
• Notes on Contributors
• List of Illustrations
• Foreword
• Introduction: Written and Unwritten Literary Geographies
• Doing World Literature from the Perspective of Oral Texts
  • Oral Genres Are Everywhere
    • Orature, Oral Literature, Oral Traditions
    • Oral Texts
    • Oral Texts in Anthropology, Folklore, and Literary Studies
    • … and World Literature
    • Location
    • Transmission and Circulation
    • Transcription, Archiving, Translation
    • This Volume
    • Bibliography
• 1. A Hero’s Many Worlds
• The Swahili Liyongo Epic and World Literature
  • Introduction
    • Oral Literature and the ‘Narrow Church’ of World Literature
    • The Fumo Liyongo Saga
    • World-making in Fumo Liyongo’s Ancient Tumbuizo
    • The Shifting Worlds of Fumo Liyongo Texts
    • Overlapping Dynamics: Colonial Collections and Manuscripts in Arabic Script
  • Fumo Liyongo in Nationalist and Pan-Africanist Worlds
    • Conclusions
    • Bibliography
• 2. Ecopoetic and Ecolinguistic Approaches to ‘Broken Places’
• Orature of Displacement Around the Ethiopian Capital
  • Introduction
    • Development-Induced Displacement in Ethiopia
    • Literary Ecologies in the Context of Development-Induced Displacement
    • Ecological Identities: People, Place, and Meaning-making
    • Ecopoetic Theory and Practice: Oral Poetry and Environmental Embeddedness
    • The Song of Displacement
  • Narrative Discourses of Displacement
  • Recorded Songs
  • Conclusions
    • Bibliography
• 3. The Novelization of Orature in Ethiopian Village Novels
  • Introduction
    • Approaches and Terminology
    • The Novel and Orature
    • Evangadi and Gurraacha Abbayaa
      • Evangadi
      • Gurraacha Abbayaa
    • Novelized Orature in Evangadi and Gurraacha Abbayaa
    • Conclusion
    • Bibliography
• 4. Fluid Texts
• Bhojpuri Songs and World Literature
  • Introduction
    • Bhojpuri Orature
  • Bhojpuri Songs in the Diaspora
    • How Can you Have Phulouri without Chutney?
    • Bibliography
• 5. Erasure and Rehabilitation of the Halqa in Morocco
• The Vicissitudes of an Intangible Cultural Heritage
  • Introduction
    • A Place, a Memory
    • Threats and Perils of Intangible Heritage
    • The Moroccan Halqa as a Space of Marginality?
    • Jamaâ El Fna Square, or the Exception among Moroccan Halqas
    • The Storyteller as Keeper of Popular Memory
    • Conclusions
    • Bibliography
• 6. A Contextual and Functional Analysis of Na’o Folk Songs
  • Introduction
    • Folk Songs: Theoretical Approaches, Materials and Methods
    • Na’o Folk Songs: Texts and Contexts
      • Work Songs
  • Songs of Entertainment
  • Funeral Dirges
  • Conclusions
  • Bibliography
• 7. Orature Across Generations Among the Guji-Oromo of Ethiopia
  • Introduction
    • Socio-Cultural Background of the Guji-Oromo
    • Methodology
    • Oral Literary Traditions of the Guji-Oromo
    • Adults’ Oral Literary Forms
      • The Gerarsa or Patriotic Song
      • The Qexala or Ceremonial Song
  • The Gelelle or Work Song
  • Weedduu Loonii or Cattle Songs
    • Oral Genres that Adults Perform with Children
    • Children’s Oral Genres
  • Conclusion
  • Bibliography
• 8. Sephardi Orature and the Myth of Judeo-Spanish Hispanidad
  • Introduction
  • What’s in a Name?
  • The Anxiety of Transmission
  • Spanish Philology and the Colonial Project
  • José Benoliel, Sephardi Philologist from Tangier
  • Sephardi Women as Singers and Collectors
  • The Fashioning of an Anti-Fascist Sephardi Anthem
  • Epilogue
  • Bibliography
• 9. Two Tracks
• Stories of the Destinies of Two Performative Oratures
  • Introduction
    • Oratures, Performance, and Folklore
    • Pandun ke Kade and the Muslim Jogis of Mewat
    • Dastan and Dastangoi: A Revival
    • Tradition, Orature and World Literature
    • Bibliography
• 10. Morocco’s Popular Culture Powerhouse
• Darija and the chaabi music of Nas El Ghiwane
  • Why Vernacular Darija?
    • Why Chaabi Popular Music?
    • The Phenomenon of Nas El Ghiwane
    • Conclusion
    • Bibliography
• 11. Dissenting Voices of Cairo
• Sheikh Imam, Ahmad Fu’ad Negm, and their Legacy in the Contemporary Music Scene
  • Introduction
    • Imam-Negm’s Songs as Products of Egyptian Popular Culture
    • Negm’s Poetry and Its Subversive Power
    • Expressing Resistance Through Music
    • Representing the Collective Imaginary
    • Sounds of Power: Censorship and Diffusion
    • Popularity and Decline of Sheikh Imam’s Songs
    • The Legacy of Sheikh Imam and Ahmed Fu’ad Negm in Tahrir Square
      • Salam Yousry: Al Tamye Theatre Company and The Choir Project
      • Mustafa Said
    • Conclusions
    • Bibliography
• Index
• About the Team
• This book need not end here…
  • Share
  • Donate
  • We invite you to connect with us on our socials!
  • Read more at the Open Book Publishers Blog
• You may also be interested in:
• Contents
  • Landmarks

HTML Outline

1. 1. Untitled BODY
2. 1. Untitled BODY
3. 1. Untitled BODY
4. 1. Untitled BODY
      1. Untitled SECTION
5. 1. Contents
6. 1. Untitled BODY
      1. Acknowledgements
7. 1. Notes on Contributors
8. 1. Untitled BODY
      1. List of Illustrations
9. 1. Untitled BODY
      1. Foreword
10. 1. Untitled BODY
       1. Introduction: Written and Unwritten Literary Geographies
       2. Doing World Literature from the Perspective of Oral Texts
          1. Oral Genres Are Everywhere
             1. Orature, Oral Literature, Oral Traditions
             2. Oral Texts
             3. Oral Texts in Anthropology, Folklore, and Literary Studies
             4. … and World Literature
             5. Location
             6. Transmission and Circulation
             7. Transcription, Archiving, Translation
             8. This Volume
             9. Bibliography
          2. Untitled SECTION
11. 1. Untitled BODY
       1. 1. A Hero’s Many Worlds
       2. The Swahili Liyongo Epic and World Literature
          1. Introduction
             1. Oral Literature and the ‘Narrow Church’ of World Literature
             2. The Fumo Liyongo Saga
             3. World-making in Fumo Liyongo’s Ancient Tumbuizo
             4. The Shifting Worlds of Fumo Liyongo Texts
             5. Overlapping Dynamics: Colonial Collections and Manuscripts in Arabic Script
          2. Fumo Liyongo in Nationalist and Pan-Africanist Worlds
             1. Conclusions
             2. Bibliography
          3. Untitled SECTION
12. 1. Untitled BODY
       1. 2. Ecopoetic and Ecolinguistic Approaches to ‘Broken Places’
       2. Orature of Displacement Around the Ethiopian Capital
          1. Introduction
             1. Development-Induced Displacement in Ethiopia
             2. Literary Ecologies in the Context of Development-Induced Displacement
             3. Ecological Identities: People, Place, and Meaning-making
             4. Ecopoetic Theory and Practice: Oral Poetry and Environmental Embeddedness
             5. The Song of Displacement
          2. Narrative Discourses of Displacement
          3. Recorded Songs
          4. Conclusions
             1. Bibliography
          5. Untitled SECTION
13. 1. Untitled BODY
       1. 3. The Novelization of Orature in Ethiopian Village Novels
          1. Introduction
             1. Approaches and Terminology
             2. The Novel and Orature
             3. Evangadi and Gurraacha Abbayaa
                1. Evangadi
                2. Gurraacha Abbayaa
             4. Novelized Orature in Evangadi and Gurraacha Abbayaa
             5. Conclusion
             6. Bibliography
          2. Untitled SECTION
14. 1. Untitled BODY
       1. 4. Fluid Texts
       2. Bhojpuri Songs and World Literature
          1. Introduction
             1. Bhojpuri Orature
          2. Bhojpuri Songs in the Diaspora
             1. How Can you Have Phulouri without Chutney?
             2. Bibliography
          3. Untitled SECTION
15. 1. Untitled BODY
       1. 5. Erasure and Rehabilitation of the Halqa in Morocco
       2. The Vicissitudes of an Intangible Cultural Heritage
          1. Introduction
             1. A Place, a Memory
             2. Threats and Perils of Intangible Heritage
             3. The Moroccan Halqa as a Space of Marginality?
             4. Jamaâ El Fna Square, or the Exception among Moroccan Halqas
             5. The Storyteller as Keeper of Popular Memory
             6. Conclusions
             7. Bibliography
          2. Untitled SECTION
16. 1. Untitled BODY
       1. 6. A Contextual and Functional Analysis of Na’o Folk Songs
          1. Introduction
             1. Folk Songs: Theoretical Approaches, Materials and Methods
             2. Na’o Folk Songs: Texts and Contexts
                1. Work Songs
          2. Songs of Entertainment
          3. Funeral Dirges
          4. Conclusions
          5. Bibliography
          6. Untitled SECTION
17. 1. Untitled BODY
       1. 7. Orature Across Generations Among the Guji-Oromo of Ethiopia
          1. Introduction
             1. Socio-Cultural Background of the Guji-Oromo
             2. Methodology
             3. Oral Literary Traditions of the Guji-Oromo
             4. Adults’ Oral Literary Forms
                1. The Gerarsa or Patriotic Song
                2. The Qexala or Ceremonial Song
          2. The Gelelle or Work Song
          3. Weedduu Loonii or Cattle Songs
             1. Oral Genres that Adults Perform with Children
             2. Children’s Oral Genres
          4. Conclusion
          5. Bibliography
          6. Untitled SECTION
18. 1. Untitled BODY
       1. 8. Sephardi Orature and the Myth of Judeo-Spanish Hispanidad
          1. Introduction
          2. What’s in a Name?
          3. The Anxiety of Transmission
          4. Spanish Philology and the Colonial Project
          5. José Benoliel, Sephardi Philologist from Tangier
          6. Sephardi Women as Singers and Collectors
          7. The Fashioning of an Anti-Fascist Sephardi Anthem
          8. Epilogue
          9. Bibliography
          10. Untitled SECTION
19. 1. Untitled BODY
       1. 9. Two Tracks
       2. Stories of the Destinies of Two Performative Oratures
          1. Introduction
             1. Oratures, Performance, and Folklore
             2. Pandun ke Kade and the Muslim Jogis of Mewat
             3. Dastan and Dastangoi: A Revival
             4. Tradition, Orature and World Literature
             5. Bibliography
          2. Untitled SECTION
20. 1. Untitled BODY
       1. 10. Morocco’s Popular Culture Powerhouse
       2. Darija and the chaabi music of Nas El Ghiwane
          1. Why Vernacular Darija?
             1. Why Chaabi Popular Music?
             2. The Phenomenon of Nas El Ghiwane
             3. Conclusion
             4. Bibliography
          2. Untitled SECTION
21. 1. 11. Dissenting Voices of Cairo
    2. Sheikh Imam, Ahmad Fu’ad Negm, and their Legacy in the Contemporary Music Scene
       1. Introduction
          1. Imam-Negm’s Songs as Products of Egyptian Popular Culture
          2. Negm’s Poetry and Its Subversive Power
          3. Expressing Resistance Through Music
          4. Representing the Collective Imaginary
          5. Sounds of Power: Censorship and Diffusion
          6. Popularity and Decline of Sheikh Imam’s Songs
          7. The Legacy of Sheikh Imam and Ahmed Fu’ad Negm in Tahrir Square
             1. Salam Yousry: Al Tamye Theatre Company and The Choir Project
             2. Mustafa Said
          8. Conclusions
          9. Bibliography
       2. Untitled SECTION
22. 1. Untitled BODY
       1. Index
23. 1. Untitled BODY
       1. About the Team
24. 1. Untitled BODY
       1. This book need not end here…
          1. Share
          2. Donate
          3. We invite you to connect with us on our socials!
          4. Read more at the Open Book Publishers Blog
25. 1. You may also be interested in:
26. 1. Untitled BODY
27. 1. Untitled BODY
       1. Contents
       2. Landmarks